Archive for November, 2008

Everything you wanted to know about the Pabst/Riverside

November 25, 2008


Image from Google Images

The Milwaukee Journal-Sentinel took what was on the tip of everyone’s tongue and gave it 2000 words. Read article

Chances are if you’re reading this blog, you’ve seen a handful of shows at Pabst Theater, Turner Hall or the Riverside Theater. Lord knows we have! I’ll just say that’s it’s great to have venues in this town that respect concertgoers like us. Namely by:
1. Not over-charging at the door.
2. Not over-charging at the bar ($3 tall boys!).
3. Not enlisting gangster-ass thugs to run security operations.
4. Caring about how concerts sound.
5. Caring about how the venue looks, smells and feels.

So thank you, Pabst Theater Foundation, on behalf of all music freaks in this fine city. You’re an organization we can build a scene around. For that we’re grateful.

-Adam Lovinus, editor

Meet Uncle Larry

November 24, 2008


Photo from MySpace

Unlce Larry is a cool blend of grunge from the the early 90′s and mid-90′s power-pop, with song subjects dedicated to the likes of Bella’s Fat Cat, Battery Acid and “Samurai-style” composition. This might have been what the Seattle grunge scene would’ve sounded like if people weren’t shooting their weight in heroin.

MP3 “See The Rock City Rock,” Uncle Larry

Uncle Larry plays 9 p.m. Thursday, December 4 at the BBC Upper Level with Wally Dogger (CHI) and The Andes.

Interview: Jon Mueller

November 21, 2008


Photo by Kat Berger
Interview by Dan Agacki

Jon Mueller is undoubtedly a busy man. His extraordinary musical talents have contributed to ten releases in 2008 alone. For many musicians this would be more than a lifetime of output, but from the look of Mueller’s massive discography, it appears to be a relatively typical year release-wise. As a preface to tonight’s show at the Borg Ward, Mueller took the time to answer the inquiries I tossed his way.

Listen “Strung,” Jon Mueller

Fan-Belt: This year has seen a flurry of releases from you. Could you give me a run down of recent releases you have been involved in?

Jon Mueller: I had a lot of material released by the Table of the Elements label this year, both solo and collaborations, group work, etc. ‘Metals’ and ‘Strung’, both solo recordings, were both different directions for me and a way to try out new ideas with the techniques I had been working with over the past few years. Collections of Colonies of Bees also had a new record come out, and we did some touring as well. Beyond that, I had the fortune of playing on the latest Rhys Chatham 3xCD set and Missi St. Pierre‘s CD. It was a great year for getting to play in a variety of circumstances.

F-B: Your music is unconventional by rock and pop standards. I was wondering how you came about playing in this style.

JM: It’s really a long story, stemming from my interests in music when I was young, to the people I studied with, to my continually evolving interest in sound and how people experience it – whether song based or not. Sound is made audible for anyone to hear, but how it’s developed is sometimes more personal and hard to describe.

F-B: Do you think that Milwaukee provides a nurturing environment for experimental music?

JM: “Milwaukee” has nothing to do with it, per se. I mean, the government isn’t developing programs for it, or facilities, or even venues. Outside of that, there is a good amount of people interested in experimental art and music here, and hopefully that’s something that will grow naturally over time.

F-B: What are your future musical plans?

JM: I have a triple format release (LP/CD/DVD) coming out early next year on Radium/Table of the Elements called “Physical Changes.” I’ll be on tour with Collections of Colonies of Bees in Japan in February, and then at SXSW for a solo set at the Table of the Elements showcase.

F-B: What can show goers expect from your set tonight?

JM: I’ll be doing a version of “Strung,” which uses amplified acoustic guitar played through a snare drum. “Strung” was released on vinyl earlier this year as part of the Table of the Elements Guitar Series.

Jon Mueller is performing tonight, November 21 at The Borg Ward (823 W. National Ave.). Also performing are Douglas Ferguson, Reptile Worship, Anal Hearse, and Ten Little Piggies. Show starts at 7 p.m. Admission is $5. All ages are welcome.

TGIT: Our Weekend Picks!

November 20, 2008

Image of STS9 courtesy of Myspace
Friday, November 21st
Sound Tribe Sector 9 + Elliot Lipp @ The Rave/Eagles Club (2401 W. Wisconsin Avenue)
Sound Tribe Sector 9 (or STS9) make for an energized live performance, leaving a trail of frenzied fans in their wake as they scoot from festival to festival. The Californian quintet have been perfecting their instrumental electronic/funk/psychedelia on the live stage since the late 90′s. Undeniably jam-y and an undeniably popular live act among their fans, STS9 is touring behind their latest release, Peaceblaster.
Image of C-Section courtesy of Myspace
Saturday, November 22nd
The Chain + Call Me Lightning, C-Section @ The Cactus Club (2496 S. Wentworth)
The Chain, Milwaukee’s most under-the-radar band, is playing live — catch them while you can. C-Section, (Chris Schulist) has scheduled an also rare, live performance, spitting rhymes in his gravelly baritone. Call Me Lightning will, as always, provide the insane energy-factor of a satisfyingly solid rock performance, especially with new tunes in their pockets. These tunes don’t go ‘jingle-jangle’. They go ‘crash-boom’.
Image of Brother Ali courtesy of Myspace
Made In Milwaukee: Brother Ali + The Rusty P’s, Kings Go Forth, No Request Sound, Chalice In the Palace @ Turner Hall Ballroom (1034 N. 4th Street)
Hip hop will literally be bumping the floor this Saturday at Turner Hall Ballroom where Brother Ali (MN) takes center stage, entertaining the political messages of his songs which have gained added momentum with the recent electoral results. Also featured are Milwaukee’s own enigmatic The Rusty P’s, the always-stellar live performance of Kings Go Forth, No Request Sound and Chalice In the Palace.

Image of Leo Minor courtesy of Myspace
Leo Minor + Lookbook, Jonathan Burks, Eric Blowtorch @ Mad Planet (533 E. Center Street)
Leo Minor is the the ultimate live dance band, fronted by J Todd; when paired with Minneapolis’ boy/girl electro-pop duo, Lookbook, the result is purely catalystic, in dance-sense. Leo Minor also holds claim to the rare performance, so get ‘em while the getting’s good. Mix in a little drinkin’ music, compliments of Jonathan Burks’ delightful combination of Mark E. Smith, Craig Finn and Dylan, and the night creates a magic of its own. With Eric Blowtorch.
TGIT!


Sex, Politics and Religion with Endless Blue

November 20, 2008


Photo courtesy of the artist
Interview by Erika J. Bock

After living in Minneapolis and then Madison, Endless Blue settled in Milwaukee, bringing with them a sound that melds synth- and sample-layered dream-pop with more edgy live instrumentation (fans of England’s Portishead will not be disappointed). The group is set to release its latest record, Fever of Dreams, Friday, November 21st at The Social, 170 S. 1st St.

Endless Blue’s core members Laura and Nick Mitchell talked sex, politics and religion with Fan-Belt’s Erika J. Bock. They were also nice enough to hook up a couple of tracks to download and listen to while you read the interview …

MP3 “Goodbye,” Endless Blue
MP3 “Her,” Endless Blue

Fan-Belt: How does sex affect your music?

Nick Mitchell: One of our fans described our music as “Sex Music”, to be put on before doing the deed. I find this ironic because I think we write to the darker parts of sex — the control, the power, the damage, the loneliness… Sex grates against the very fabric of our relationships as a contrary force. The emotion, drama, and pain caused by that conflict is an endless well of inspiration (and fascination) for me.

Laura Mitchell: As in all things in life, sex and love have a vital role in my song writing and especially in the lyrical web I weave. I am told that our music has been the soundtrack to a few sex-a-thons, which I guess I’m proud? The thought that endless blue can enter into the most intimate arena of a listener’s life is quite flattering.

Q: How does religion affect you music?

Nick: Not at all. Well, except for when Laura serenades me out of boredom with church songs she learned as a child…which are annoying as I am not down with the Jeebus.

Laura: Mostly try to not mix our music with any type of organized religion, don’t even want to go there. That said, anything in life could be considered as a “religion”, so I guess as a spiritual person I do let whatever moves me into my writing. This includes sex, love, relationships, work, other music, art, politics and religion.

Q: How do politics affect your music?

Laura: Passion, anger or hope within a political realm can easily creep into the music. If I am incredibly affected by something emotionally, I will let it somehow get into the mix. Sleep Child is an example. This song from our latest album is a war from the perspective of a young child. This was inspired by the Iraq war, but really can extend to any violent and terrifying situation.



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